Kenneth T. Ken Deutsch

Kenneth T. Ken Deutsch

Entertainment Law - Motion Pictures and Television

5.0 (1 reviews)
Century City, California
22+ years experience
Paul Hastings LLP
Updated:

Contact Information

1999 Avenue Of The Stars 27th Floor, Century City, CA 90067
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Bio

Ken Deutsch is Global Co-Chair of the Entertainment and Media practice of Paul Hastings and is based in the firm’s Century City office. He represents a broad array of operating entities in the entertainment and media industries, including film and television studios, streaming platforms, and independent media companies, advising on their most significant corporate transactions as well as on a variety of film, television, and other commercial ventures.Mr. Deutsch also routinely represents financial institutions, investment funds, high-net-worth individuals, and other media and content financiers in evaluating and executing on investment and acquisition opportunities in the entertainment space. He has particular experience in structuring complex equity and debt financings, content funds, and strategic joint venture arrangements.Mr. Deutsch, who has been referred to as a “Hollywood Heavyweight” by The American Lawyer, is recognized as one of the few Band 1 leading lawyers for Media & Entertainment: Transactional in California by Chambers USA, where clients note that he is “deeply knowledgeable” with a “fantastic ability to handle complex transactions.” He is also recognized as a “Leading Lawyer” for Media and Entertainment: Transactional by The Legal 500 US and is routinely recognized by a number of industry publications, including Variety’s “Hollywood’s New Leaders,” “Dealmaker Impact Report,” and “Legal Impact Report,” and The Hollywood Report’s “Power Lawyers.” Ken Deutsch is Global Co-Chair of the Entertainment and Media practice of Paul Hastings and is based in the firm’s Century City office. He represents a broad array of operating entities in the entertainment and media industries, including film and television studios, streaming platforms, and independent media companies, advising on their most significant corporate transactions as well as on a variety of film, television, and other commercial ventures.Mr. Deutsch also routinely represents financial institutions, investment funds, high-net-worth individuals, and other media and content financiers in evaluating and executing on investment and acquisition opportunities in the entertainment space. He has particular experience in structuring complex equity and debt financings, content funds, and strategic joint venture arrangements.Mr. Deutsch, who has been referred to as a “Hollywood Heavyweight” by The American Lawyer, is recognized as one of the few Band 1 leading lawyers for Media & Entertainment: Transactional in California by Chambers USA, where clients note that he is “deeply knowledgeable” with a “fantastic ability to handle complex transactions.” He is also recognized as a “Leading Lawyer” for Media and Entertainment: Transactional by The Legal 500 US and is routinely recognized by a number of industry publications, including Variety’s “Hollywood’s New Leaders,” “Dealmaker Impact Report,” and “Legal Impact Report,” and The Hollywood Report’s “Power Lawyers.” Ken Deutsch is Global Co-Chair of the Entertainment and Media practice of Paul Hastings and is based in the firm’s Century City office. He represents a broad array of operating entities in the entertainment and media industries, including film and television studios, streaming platforms, and independent media companies, advising on their most significant corporate transactions as well as on a variety of film, television, and other commercial ventures. Mr. Deutsch also routinely represents financial institutions, investment funds, high-net-worth individuals, and other media and content financiers in evaluating and executing on investment and acquisition opportunities in the entertainment space. He has particular experience in structuring complex equity and debt financings, content funds, and strategic joint venture arrangements. Mr. Deutsch, who has been referred to as a “Hollywood Heavyweight” by The American Lawyer, is recognized as one of the few Band 1 leading lawyers for Media & Entertainment: Transactional in California by Chambers USA, where clients note that he is “deeply knowledgeable” with a “fantastic ability to handle complex transactions.” He is also recognized as a “Leading Lawyer” for Media and Entertainment: Transactional by The Legal 500 US and is routinely recognized by a number of industry publications, including Variety’s “Hollywood’s New Leaders,” “Dealmaker Impact Report,” and “Legal Impact Report,” and The Hollywood Report’s “Power Lawyers.”

Local Legal Snapshot

Jurisdiction

California

State Capital

Sacramento

Highest Court

California Supreme Court

Bar Association

State Bar of California

Typical Consultation

$150-$300

Typical Hourly Range

$250-$450/hr

Fee Model Notes

Hourly or flat-fee billing is common.

Estimates vary by market, complexity, urgency, and attorney experience.

Practice Areas

Entertainment Law - Motion Pictures and Television

Awards & Recognition

  • Recognized: Entertainment Law - Motion Pictures and Television

Recognized in Best Lawyers since 2020

Education

  • Harvard University, J.D., graduated 2003

Reviews

J

Jonathan Miller

3 months ago

Invaluable counsel on a complex studio acquisition

Our company recently navigated a high-stakes acquisition of a boutique production studio, a process fraught with intricate intellectual property and talent contract issues. Ken Deutsch was recommended to us for his deep expertise in entertainment law, and his counsel proved indispensable. His 22 years of experience, particularly his recognized work in motion pictures and television, were immediately apparent. He guided us through every nuance with a strategic, business-minded approach, anticipating challenges we hadn't considered. His professionalism and calm demeanor kept the deal on track even during tense negotiations. The successful outcome was directly attributable to his mastery of the field and his role at Paul Hastings. We cannot recommend him highly enough.

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